- Home
- Music / Culture
- music
- social science
- Club Cultures
Club Cultures
Music, Media, and Subcultural Capital
Series: Music / Culture
Sales Date: 1996-03-08
201 Pages, 6.00 x 9.00 in
A close look at the music and culture of dance clubs and the "rave" phenomenon..
Focusing on youth cultures that revolve around dance clubs and raves in Great Britain and the U.S., Sarah Thornton highlights the values of authenticity and hipness and explores the complex hierarchies that emerge within the domain of popular culture. She portrays club cultures as "taste cultures" brought together by micro-media like flyers and listings, transformed into self-conscious "subcultures" by such niche media as the music and style press, and sometimes recast as "movements" with the aid of such mass media as tabloid newspaper front pages. She also traces changes in the recording medium from a marginal entertainment in the 50s to the clubs and raves of the 90s.
Drawing on the work of Pierre Bourdieu, Thornton coins the term "subcultural capital" to make sense of distinctions made by "cool" youth, noting particularly their disparagement of the "mainstream" against which they measure their alternative cultural worth. Well supported with case studies, readable, and innovative, Club Cultures will become a key text in cultural and media studies and in the sociology of culture.
List of Plates
List of Figures
Acknowledgments
1. The Distinctions of Cultures Without Distinction
Introduction
Youth and their Social Spaces
2. Authenticities from Record Hops to Raves (and the History of Disc Culture)
The Authentication of a Mass Media
Industrial Forces, Musician Resistance and 'Live' Ideology
'Real' Events and Altered Spaces
The Authentication of Dance Genres
The Resp0nse of the 'Live' Gig
Conclusion
3. Exploring the meaning of the Mainstream (or why Sharon and Tracy Dance around their Handbags)
A night of Research
Academic Accounts of the Cultural Organization of Youth
The Social Logic of Subcultural Capital
Participation versus Observation of Dance Crowds Conclusion
4. The Media Development of 'Subcultures' (or the Sensational Story of 'Acid House')
The Underground versus the Overexposed
Mass Media: 'Selling Out' and 'Moral Panic'
Micro-Media: Flyers, Listings, Fanzines, Pirates
nice Media: the Editorial Search for Subcultures
Conclusion
Afterword
Bibliography
Index
Sarah Thornton is Lecturer in Media Studies at the University of Sussex and coeditor of The Subcultures Reader (1996).
"One of the smartest and most audacious pieces of musical sociology in years, Club Cultures anatomizes Britain's turn-of-the-'90s dance scene with the style and sympathy that Dick Hebdige's classic Subculture applied to punk."
~Spin Magazine
""A highly accessible yet rigorously written study of popular culture, with some pertinent points about what clubbing means for the gals . . . An important contribution not only to current media debates, but also that oft overlooked question of club music and gender.""
~Everywoman
""Imagine a book that could be subtitled Everything You Always Wanted to Know About Dance But Didn't Even Know Such Questions Existed.""
~Q magazine (three star rating)
""One of the smartest and most audacious pieces of musical sociology in years, Club Cultures anatomizes Britain's turn-of-the-'90s dance scene with the style and sympathy that Dick Hebdige's classic Subculture applied to punk.""
~Spin Magazine
""Skipping from discos to acid houses to raves, the world within the scene is dissected by theoretical insight and first hand experience . . . Thornton never falls short on hipster jargon.""
~Bikini
"A wonderful book, a delight to read, and a real contribution to the literature on popular music and youth culture and to the broader literature of cultural studies and popular culture."
~Lawrence Grossberg, University of North CarolinaChapel Hill
Related Books
