IN THE BEGINNING
Juan Nepomuceno Adorno - "The Distant Future" (Mexico, 1862)
Nilo Maria Fabra - "On the Planet Mars" (Spain, 1890)
SPECULATING ON A NEW GENRE: SF FROM 1900 THROUGH THE 1950s
Miguel de Unamuno - "Mechanopolis" (Spain, 1013)
Ernesto Silva Roman - "The Death Star" (Chile, 1929)
Juan Jose Arreola – "Baby H.P" (Mexico, 1052)
THE FIRST WAVE: THE 1960s TO THE MID-1980s
Angel Arango - "The Cosmonaut" (Cuba, 1964)
Jeronimo Monteiro - "The Crystal Goblet" (Brazil, 1964)
Alvaro Menen Desleal - "A Cord Made of Nylon and Gold" (El Salvador, 1965)
Pablo Capanna - "Scronia" (Argentina, 1967)
Magdalena Moujan Otano - "Gu TA Gutarrack (We and Our Own) (Argentina, 1968)
Luis Britto Garcia - "Future" (Venezuela, 1970)
Hugo Correa - "When Pilate Said No" (Chile, 1971)
Jose B. Adolph - "The Falsifier" (Peru, 1972)
Angelica Gorodischer - "The Violet's Embryo's" (Argentina, 1973)
Andre Carneiro - "Brain Transplant" (Brazil, 1978)
Daina Chaviano - "The Annunciation" (Cuba, 1983)
Federico Schaffler - "A Miscalculation" (Mexico, 1983)
RIDING THE CREST: THE LATE 1980s INTO THE NEW MILLENIUM
Braulio Tavares - "Stuntmind" (Brazil 1989)
Guillermo Lavin " - Reaching the Shore" (Mexico, 1994)
Elia Barrcelo - "First Time" (Spain, 1994)
Pepe Rojo - "Gray Noise" (Mexico, 1996)
Mauricio-Jose Schwarz - "Glimmerings on Blue Glass" (Mexico, 1996)
Ricard de la Casa and Pedro Jorge Romero - "The Day We Went through the Transition" (Spain, 1998)
Pablo Castro - "Exeriom" (Chile, 2000)
Michel Encinosa - "Like the Roses Had to Die" (Cuba, 2001)