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How six professional dance organizations transformed the landscape of modern dance scholarship
Movable Pillars traces the development of dance as scholarly inquiry over the course of the 20th century, and describes the social-political factors that facilitated a surge of interest in dance research in the period following World War II. This surge was reflected in the emergence of six key dance organizations: the American Dance Guild, the Congress on Research in Dance, the American Dance Therapy Association, the American College Dance Festival Association, the Dance Critics Association, and the Society of Dance History Scholars. Kolcio argues that their founding between the years 1956 and 1978 marked a new period of collective action in dance and is directly related to the inclusion of moving bodies in scholarly research and the ways in which dance studies interfaces with other fields such as feminist studies, critical research methods, and emancipatory education. An impeccable work of archival scholarship and interpretive history, Movable Pillars features nineteen interviews with dance luminaries who were intimately involved in the early years of each group. This is the first book to focus on the founding of these professional organizations and constitutes a major contribution to the understanding of the development of dance in American higher education.
PREFACE
Project History
Acknowledgements
PART I
INTRODUCTION
Modern dance is a point of view
PRECEDENTS: DANCE AS EDUCATION, ART AS CULTUE
Dance as education
Dance as art
The art/education dichotomy
Dance as cultural studies
Art and the politics of knowledge
The post war climate
Performing a public voice: defining dance, defining dace research 1956-1970
Defining research in dance
CURRENT CONTEXTS: INTERDISCIPLINARITY AND THE PROBLEM OF PRACTICE
Its own intellectual tradition
PART II
Telling the Times: Interviews
AMERICAN DANCE GUILD (1956)
Carolyn Bilderback
Carole I. Binswanger
Joseph Gifford
Fannie Isquith
Erna C. Lindner
Bernice Rosen
CONGRESS ON RESEARCH IN DANCE (1965)
Jeannette S. Roosevelt
Patricia A. Rowe
AMERICAN DANCE THERAPY ASSOCIATION (1966)
Sharon Chaiklin
Beth Kalish-Weiss
Catherine Hamilton Pasternak
Claire Schmais
AMERICAN COLLEGE DANCE FESTIVAL ASSOCIATION (1973)
Jeanne Beaman
Adam Pinsker
DANCE CRITICS ASSOCIATION
Deborah Jowitt
Marcia B. Siegel
SOCIETY OF DANCE HISTORY SCHOLARS (1978)
Selma Jeanne Cohen
Constance Kreemer
Genevieve Oswald
Conclusion
Appendix I
Appendix II
Bibliography
KATJA KOLCIO is an associate professor of dance at Wesleyan University.
"Movable Pillars maps out a compelling argument about the founding of the six major dance organizations as a significant, but hidden, force in establishing dance in America. Arguing that these groups acted as bridges between the stage and academia, Kolcio expertly traces their early achievements in turning activism into action and helping to legitimize dance as a serious intellectual pursuit."
~Janice Ross, professor, Drama Department, Stanford University
"These thoughtful and compelling interviews invite us to reflect on the role of these vital dance organizations in furthering the legitimization of education, scholarship, and therapeutic practice in the evolving field of dance as an academic discipline."
~Susan A. Lee, dance program head, Northwestern University
"Movable Pillars maps out a compelling argument about the founding of the six major dance organizations as a significant, but hidden, force in establishing dance in America. Arguing that these groups acted as bridges between the stage and academia, Kolcio expertly traces their early achievements in turning activism into action and helping to legitimize dance as a serious intellectual pursuit."
~Janice Ross, professor, Drama Department, Stanford University