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- The Work-Shy

A poetic archive of subcultures rooted in the lives and language of the unsettled
The Work-Shy painstakingly reconstructs a chorus of voices rescued from hermetic "colonies" and fragile communes, from worlds that work in ways that defy work as we know it. Its poetic assemblages offer direct testimony from the first youth prison in California and from asylums for the chronically insane (preserved in the Prinzhorn Collection in Germany and the Creedmoor Psychiatric Center in New York City). Painful facts emerge about "sterilization mills" in California, where thousands of individuals became subject to compulsory procedures (policies that shaped eugenics practice in the Third Reich). In addition, the poems "translate" asylum texts—the writing of the insane—into a wider field of social conflict and utopian fragments of not-yet-being.
Activating what Susan Howe calls "the telepathy of the archive" (and Peter Gizzi dubs "archeophonics" in the title of his latest collection), the poems of The Work-Shy become part of a "book of listening," occupying identities rooted in the demimonde and in places of confinement. Voices echo to form a ragged chain of soliloquies, kenning and keening, riddles and rants. Published under the collective, anonymous signature of the BLUNT RESEARCH GROUP, the book operates at the crossroads of lyric and documentary poetries, of singularity and collectivism. An online readers companion will be available at bluntresearchgroup.site.wesleyan.edu.
LOST PRIVILEGE COMPANY
TEACUP BUSINESS
Carbon Copy
Alec
Dimas
Frankie
Frances
Cornelius
Julius
Josephine
Dorito
John
Oscar
Edward
Emmanuel
Fred
Pedro
Pedro
Herbert
Uriah
Ernest
Tony
Emilio
Arthur
Henry
Albert M
Pete
Johnny
Mother of Propositus
Alberto
Jack
Jesus
Jose
Javier
Javier
Victor
Nathaniel
William
William
Carl
Raymond
Joseph
Theodore
Helen
THE BOOK OF LISTENING
CREEDMOORBLANCA
Base Translation
TEACUP BUSINESS
Carbon Copy
Alois
Emile
Marmor
Barbara
Theodor
Sylvain
Hyacinth
Jacqueline
August
Agnes R
Marmor
Beth
Agnes R
Karoselle
Aimable
Hyacinth
Aimable
Max
Karl
Mary M
Sylvain
Sandie
Jacqueline
Mary R
Mary R
Carl
Sylvain
Richard
Mary R
Henri
Elise
Max J
Willhelm
Aimable
Aloïse
Emile
Erwin
Jules
Jules
Jules
Jules
Jules
Paul
Henri
Julius
Jane
Adolf
Lorenz
Sylvain
Hyacinth
Agnes R
Joseph
Emma H
TREYF
Sources
Plan
BLUNT RESEARCH GROUP is a nameless constellation of poets, artists, and scholars from diverse backgrounds. Work by BLUNT RESEARCH GROUP has been published by Noemi Press and has appeared in museums across the country.
"The Work-Shy 'wrest[s] poems from the lived experience of incarceration as if poetry could be a jailbreak ... The success of BLUNT RESEARCH GROUP's undertaking rests in their soft but persistent demand that we as readers listen.'"
~Eli P. Mandel, Make literary magazine
""[The Work-Shy] raises important questions for the entire field of citational and conceptual poetics—which includes word-borrowers of many stripes—about sources, sourcelessness, and what sorts of realities inhere in projects of linguistic remediation.""
~Ingrid Becker, Chicago Review
""The Work-Shy celebrates an old theme, the vision of madness and degeneracy as a path beyond instrumentalized compliance. But simultaneously the book takes as its focus the suffering required to even passively resist the violent absurdity of authoritarianism.""
~Frances Richard, 4 Columns
""The found-language portrait it's almost all Blunt Research Group does, and they do it superbly, scarily, never forgetting how much these lives have been shaped never forgetting how much we cannot know.""
~Steph Burt, The Yale Review
""To striking, uncomfortable effect, the collection illuminates the eugenicist movement's ties to state schools for the so called 'work-shy'—children deemed incorrigibles by the state—and mental health institutions in the early 20th century.""
~Publishers Weekly
""In its every aspect, The Work-Shy, is generative of thinking, and that should be counted a true achievement. Books of poetry often have a take-it-or-leave-it air. The Work-Shy, though is worrying and when shut continues to worry its reader, not least because there are poems in the second sequence that make much admired poetry of the present look posturing and paltry.""
~John Wilkinson, Critical Inquiry
""The Work-Shy 'wrest[s] poems from the lived experience of incarceration as if poetry could be a jailbreak The success of BLUNT RESEARCH GROUP's undertaking rests in their soft but persistent demand that we as readers listen.'""
~Eli P. Mandel, Make literary magazine
""The chorus of voices raised in this book refuses isolation.""
~Henk Rossouw, Boston Review
"Herein are the voices of children sacrificed to the barbaric dogmas of eugenics and conformity; an archeology of inhumanity that should haunt us forever."
~Mike Davis, author of City of Quartz
"The language of The Work-Shy cuts straight through, as sharp and alive as the eyes that peer out from its photographs. 'Our words are like people,' one inmate declares—people who change our hearts. Yet suddenly we realize that each poem rivers across the page, where we can either drown or float, and the tension between leaves us gasping for air.""
~Carmen Gimenez-Smith, author of Milk and Filth
"The Work Shy documents moments in time that resonate with us still, as each breathes up through history like an iron shackle around the leg. A heartbreaking and necessary read.""
~Dawn Lundy Martin, author of Life in a Box is a Pretty Life
"Extending the commitments of Situationism and Dickinson's romance with No, The Work-Shy is an apology for idleness, the deliberate liberation of time. Seeking to expose a 'utopian surplus,' these poems pit nomadic words—a cacophony of 'countersigns'—against their wardens. By listening to the idiolect of Outside, the anonymous collective that remixed this book speaks from—rather than for—those whose minds were outcast, their bodies imprisoned.""
~Andrew Zawacki, author of Videotape
"The Work-Shy is a remarkable sequence of poems composed by way of writing practices that restore the possibilities for lyric poetry and its historical imagination, using documentary techniques and a principled cultural poetics. The poems are commanding verbal performances that reveal how institutions are empowered to confiscate meaning from the most vulnerable. To read these poems is to come face to face with the contemporary cruelties of historical means. The result is heartbreaking.""
~Roberto Tejada, author of Full Foreground