"Sonevytsky's vivid prose brings together rich ethnography with sophisticated analysis. Through her concept of wildness, she shows how performers disrupt binaries of tradition and modernity, of 'Eastern' and 'Western' culture, as they construct their country's sovereignty. A powerful book!"
~Laada Bilaniuk, author of Contested Tongues: Language Politics and Cultural Correction in Ukraine
"Beautifully written, this vital and sensitive ethnography documents the social, affective, and discursive energies that flow within contemporary Ukrainian music. Sonevytsky highlights the possibilities for imaginative agency that 'wild musics' provide, without ignoring the very real constraints that hem in the Ukrainian subjects whose complex personhood is the real focus of this remarkable book."
~J. Martin Daughtry, author of Listening to War: Sound, Music, Trauma, and Survival in Wartime Iraq
"Post-Soviet Ukraine emerges in this beautiful and original book as a place of a vibrant musical and sonic culture. Marked by experiment, hybridity, and 'wildness,' this scene not only produces remarkably creative musical projects, but also makes new forms of political sovereignty, citizenship and community imaginable. A great achievement."
~Alexei Yurchak, author of Everything Was Forever, Until It Was No More: The Last Soviet Generation
"Maria Sonevytsky's book Wild Music: Sound and Sovereignty in Ukraine is a distinguished achievement of contemporary ethnomusicological scholarship. It deals ethnographically with various Ukrainian "ethno-music" (etno-muzyka) phenomena that can be considered borderline, not only in their geographic and cultural designation (Hutsul and Crimean Tatar), but also in their conceptual and political characterization."
~Urban People Journal
