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An intriguing look at music listening in nineteenth-century America
Winner of the Northeast Popular Culture Association's Peter C. Rollins Book Award (2012)
Winner of the ASCAP Deems Taylor Award (2012)
Listening and Longing explores the emergence of music listening in the United States, from its early stages in the antebellum era, when entrepreneurs first packaged and sold the experience of hearing musical performance, to the Gilded Age, when genteel critics began to successfully redefine the cultural value of listening to music. In a series of interconnected stories, American studies scholar Daniel Cavicchi focuses on the impact of industrialization, urbanization, and commercialization in shaping practices of music audiences in America. Grounding our contemporary culture of listening in its seminal historical moment—before the iPod, stereo system, or phonograph—Cavicchi offers a fresh understanding of the role of listening in the history of music.
Acknowledgments
Introduction
"P. T. Barnum Introducing Madelle. Jenny Lind to Ossian E. Dodge": Capitalizing on Music in the Antebellum Era
"I think I Will Do Nothing... But Listen": Forming a New Urban Ear
"Music Is What Awakens in You When You Are Reminded by the Instruments": Hearing a New Life at Mid-Century
"How I Should Like to Hear It All Over Again & Again": Loving Music, 1850–1885
"Attempering This Whole People to the Sentiment of Art": Institutionalizing Musical Ecstasy
Epilogue
Notes
Bibliography
Index
DANIEL CAVICCHI is an associate professor of American studies and head of the Department of History, Philosophy, and the Social Sciences at Rhode Island School of Design. He is the author of Tramps Like Us: Music and Meaning among Springsteen Fans and coeditor of My Music: Explorations of Music in Daily Life. His public work has included "Songs of Conscience, Sounds of Freedom," an inaugural exhibit for the Grammy Museum in Los Angeles.
"Listening and Longing performs a valuable service in connecting modern conceptions of fame, fandom, and self-consciously specialized forms of 'audiencing' to their nineteenth-century roots."
~Franklin Bruno, Los Angeles Review of Books
""Daniel Cavicchi's Listening and Longing: Music Lovers in the Age of Barnum is an ambitious, original book well worth careful reading for its integrated historical, historiographical, and methodological arguments.""
~Karen Ahlquist, Journal of the Society for American Music
""The intersections and overcrossings highlighted in these pages further enrich the already multifarious dialogue about nineteenth-century music in the United States.""
~Laura Moore Pruett, Journal of the American Musicological Society
""Cavicchi tracks the interplay among music, social prestige, and geographical reputation, the development of listening as a distinct skill, and the early history of music fans.""
~Scott Gac, American Historical Review
""a well-researched, elegant and thought-provoking book.""
~David W. Stowe, Commonplace
""Cavicchi has written an excellent book that should be read by historians, cultural critics, and musicologists. All would find points of insight and interest.""
~Michael Broyles, The Journal of American History
""a detailed look at 19th-century music consumers thatstands as a painstaking, groundbreaking work of scholarship that adds substantially to our understanding.""
~Robert Christgau, Barnes & Noble Review
""As the title reveals, Cavicchi's purpose is to put emphasis on 'music-listening' rather than on the more common 'music making.' Cavicchi did extensive research and the book is well argued, from several points of view.""
~W.K. Kearns, Choice
""Listening and Longing performs a valuable service in connecting modern conceptions of fame, fandom, and self-consciously specialized forms of 'audiencing' to their nineteenth-century roots.""
~Franklin Bruno, Los Angeles Review of Books
""Daniel Cavicchi's fascinating Listening and Longing: Music Lovers in the Age of Barnum, has been blowing my mind.""
~Frank Oteri, New Music Box
"Impeccably researched, Listening and Longing shows us how Jenny Lind was the Lady Gaga of her day. Cavicchi's excellent use of primary materials, such as 19th-century diary entries and periodicals, documents how the seeds were germinated for today's music-fan culture."
~Holly George-Warren, coauthor of The Road to Woodstock
"Impeccably researched, Listening and Longing shows us how Jenny Lind was the Lady Gaga of her day. Cavicchi's excellent use of primary materials, such as 19th-century diary entries and periodicals, documents how the seeds were germinated for today's music-fan culture."
~Holly George-Warren, coauthor of The Road to Woodstock
"Cavicchi's book is a richly detailed, lucid account of how and why music-listening is an active, participatory aspect of music-loving. Listening and Longing has changed fundamentally the way I think about the development of America's musical culture.""
~Dale Cockrell, author of Demons of Disorder: Early Blackface Minstrels and Their World